Unlike Guys and Dolls or The Music Man, Carousel isn't a show that can simply rest on the strengths of its material. While a good number of classic musicals can lean on their score and inner charms to suffice for a pleasurable evening, Rogers and Hammerstein's 1945 masterpiece requires a director and design team with a rock-solid vision and perspective. Otherwise, this show, which touches on the very tender themes of innocence lost, domestic abuse and the bittersweet promise of second chances, can easily fall of its axis and roll right into the orchestra pit.
However, under Rob Ashford's sublime direction, Lyric Opera of Chicago's production is a Carousel for the ages. Not only is it exquisitely sung and masterfully acted by a cast of Broadway veterans, its hypnotic production design by Paolo Ventura elevates the dreamlike and otherworldly aspects of thi...
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