A Roving Locus

December 10, 2014 3:58 PM

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I first saw Amy Adler's work at the Museum of Contemporary Art San Diego many years ago when I was probably still in college. Her "Director" series was being exhibited and the work continues to stick with me over all these years. The pieces are subtle -- faint pastel drawings on white canvas -- which draw you into them by necessity in order to see them. When I learned that they were images of a filmmaker in the act of directing Amy (who remains an unseen performer in the works) I was intrigued by the complications of what (or who) is actually the subject.

This has been a regular consideration in Adler's work: alluding to things unseen while complicating singular definitions of her subjects and mediums. She has made drawings, which she then photographs and destroys to leave only the photograph as the final artwork. She has created drawings for a child...

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