How Michael Keaton, Naomi Watts Hid and Slid for a Continuous 'Birdman' Shot

October 12, 2014 4:35 AM

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How Michael Keaton, Naomi Watts Hid and Slid for a Continuous 'Birdman' Shot

"You got a very private moment to have a bit of retrospection. … Normally, when you bookend a scene with 'action' and 'cut,' you almost hide your feelings afterward"

Without the luxury of cutaways and post-production edits, Alejandro G. Inarritu's Birdman functioned less like a film or stage play on set, and more like a strategically-planned dance performance.

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