‘Birdman’ gets its power from its ambiguity. At least, I think so.

October 24, 2014 11:06 AM

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The Reelist is a column about Kristen Page-Kirby’s relationship with movies. To read Washington Post film critic Ann Hornaday’s review of “Birdman,” click here.

Did you know you’re supposed to call a certain movie “Birdman or The Unexpected Virtue of Ignorance” on first reference, per the press materials, and then you can just call it “Birdman” after that? Now that that’s over with, let’s talk about “Birdman.”

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